[kj] loose cannon - J page does G walker vis a vis

[pr 001]

yes i do quite like that new geordie sound too i just think it got a bit 
overused on DM so to hear it again spliced into a track i'd already heard 
didn't do much for me. particularly a track that's all bleeps and industrial 
pish. but yes i agree it's a subtle sound, or rather a sound with many 
subtleties, and difficult to get absolutely right (for us mortals at least). 
page is def. a geordie fan they've jammed together jaz describes it 
somewhere (in the KASHMIR notes i think) plus they have the occult 
connection via jaz of course.

>From: "fluw" <fluwdot@earthlink.net>
>Reply-To: gathering@misera.net
>To: <gathering@misera.net>
>Subject: Re: [kj] loose cannon - J page does G walker vis a vis
>Date: Thu, 29 May 2003 12:06:32 -0500
>
><<zero-distortion-almost-out-of-tune is very DM 'king mob' etc. and it's
>another poor edit when it comes in abruptly too>>
>
>
>nothing wrong with the lack of distortion imo, a nice touch especially 
>considering the delicacy of the bridge riff - what might sound "out of 
>tune" to the ear is due to an acquired recognition of the fifths chorusing 
>against the droned low D. that, along with the room sound, chorus effects, 
>and the subtle vibrato phrasing geordie adds to the fretted notes can be a 
>little disconcerting. and isn't that what geordie does so well?!
>very sublime
>
>if you can stomach it, listen to page and plant's "when the world was 
>young" and "blue train" on walking into clarksdale for some of the 
>references to loose cannon.
>
>besides that, some killing joke fans may like this album for tunes like 
>"most high" and "walking into clarksdale" - the song, where the sharp 
>listener should notice similarities between geordie and jimmy in the 90's, 
>very interesting. since walking into clarksdale came out in 98, the case 
>could be made that jimmy was listening to killing joke quite a bit in the 
>90's
>
>as far as the edit goes, it is unorthodox. more power to 'em

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