[kj] OT: Speaking of Bo Diddley...

ade ade at the-lab.zetnet.co.uk
Fri Jun 6 17:30:17 EDT 2008


Totally pioneering - I think it took someone like Hendrix to then come
along & mutate that rhythmic barrage of Diddley's into the 'next step',
or progression.

All fucking Alchemists in my mind. Nevertheless, I'd say the ideas behind
something like Geordie's use of slap-back delay on lots of Nighttime goes
directly back to Rock'n'rollers, Rockabilly, etc. As you say, the 'twang'.
Dirt that twang up slightly, add chorus, turn up the repeats on the slap-
back & you have the bells of Nighttime!

Even Hank Marvin was initially awe-inspiring, with tape-delay, trem, etc.

I think those sounds had a profound effect on Geordie. Sabre Dance, for
fuck sake - says it all, really. As well as the influence of the earthy
rhythm (& lead) gods such as Angus Young & Jimmy Page & the intellectualism
of John McLaughlin.

If guitars hadn't been big boxes all those years ago, with all that fat
bottom-end, it might not have become the rhythmic instrument it is today!



-----Original Message-----
From: gathering-bounces at misera.net
[mailto:gathering-bounces at misera.net]On Behalf Of B. Oliver Sheppard
Sent: 06 June 2008 21:20
To: A list about all things Killing Joke (the band!)
Subject: Re: [kj] OT: Speaking of Bo Diddley...


Ade,


Yeah, that's an incredible video.

The thing I like about Diddley's style, I am finding out (I always
ignored or avoided him because he seemed like someone my parents would
like, which meant I would automatically shun it, and I missed out on
some decent stuff because of that stubborness) -- is his really weird
utilization of the more percussive, chunky, chunk-chunk-wokka-wokka
aspects of the guitar that are amplified through certain types of
distortion. And the way he effortlessly maneuvers across the fretboard
while swinging the damn thing around. The opening of, for example,
Killing Joke's "Tabazan," where Geordie does that weird, palm-muted
"chukka-chukka-chunk-chunk" thing before playing outright identifiable
notes -- that is the kind of thing I guess Diddley was going way back as
early as the 50s..????

The Sun Records crew, god bless them, in the 1950s were more interested
in Western-style twang for their rockabilly. I like that style, too. But
Diddley was going down this really chugga-chugga, chikka-chikka type of
guitar path that wasn't fully exploited until heavy metal came along,
when you would have regular palm muted "rhythm guitar" essentially
trying to play counterpoint to the drumming, chugging along to the
drums. I'm not an uber-scholar, but from all I have seen, it looks like
Diddley is one of the pioneers of that aspect of rock guitar.

That video you posted is indeed pretty incredible.

-Oliver

ade wrote:

> Excellent Olly! Here's another!

>

> http://www.youtube.com/watch?v=sgzn7VyoqEw&NR=1

>

> We're all standing on the shoulders of giants, innit.

>

>

>

>


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