[kj] Another classic from Google Translate:

Rheinhold Squeegee kjlist at live.com
Mon Nov 3 09:44:40 EST 2014


Re: Upcoming "TD&RS" screening in Barcelona:

Fave lines: 
"Many marriages too sure."
and
"Once the hippies has disappointed those who thought they could open 
leaks in the established paradigm..."

http://www.clubbingspain.com/especiales/2014/11/in-edit-2014-killing-joke-the-death-amp-resurrection-show.html

In-Edit 2014: Killing Joke - The Death & Resurrection Show   Written by David Puente | Published on 11.02.2014  The life and times of one of the most evil bands of their generation post-punk. 
 If anything is clear in this new twist of rock with the paranormal, 
there have been many cases in history and for everyone, is that one 
should be careful with signing contracts blood.  You never know where we can go. Paul Ferguson and especially the frontman of the band, the illustrious Jaz Coleman, know very well what we mean.  Many marriages too sure.  Opposites attract and also for life The Death & Resurrection Show
 explains the different stages through which passes the band negotiated 
with the occult (and rather little with the mainstream as they signed 
just one hit. Love like blood of referential enough relative to the heart of this beast) title. 

 
 Two and a half hours of footage even fall short to explain all occult 
relations of the band (and their nuances) that will lead us in Iceland-a
 country in which Coleman took refuge for a time he decided to leave to 
their fate the band in 1982 in search of a force unseen but feels (and 
who used to create another group: Niceland) - the New Zealand remotely 
where orchestrate versions of The Doors, to the recording of a meeting 
held in the catacombs of a pyramid that is not so easily let defile.  And Prague, Prague always symphony, crying for the dead and the living with whom Nirvana recorded Suite
 (BTW, Dave Grohl appears on the tape as evidence that both of these 
Nirvana you 'should' Killing Joke, among other things plagiarism 
litigation that remained in embrace and hugs). 

  We are drawn to the leader of the band, Jazz Coleman as a runaway at the edge of a bottomless ravine (known) brain.  As a lightning rod that attracts telluric forces that can stop a concert for 40 seconds. 
 Once the hippies has disappointed those who thought they could open 
leaks in the established paradigm, punk remaining pact with the devil to
 bring humanity out of its own dead end. Killing Joke is a cult.  A small group of Illuminati taking over the reins.  As parishioners of the tenets of Aleister Crowley flitting throughout the film. 
 Crowley is one of the totems of the occult in the first half of the 
twentieth century revived strongly in the last quarter of the twentieth 
century, also known as The Great Beast 666 (The Great Beast), an influential mystic and alchemist who founded Thelema currents that have in his book The Book of the Law your own Bible sacred. 

 
 Killing Joke has its own Crowley embodied self in the person of Jaz 
Coleman (who incidentally was appointed by the French government a whole
 Knight of Arts and Letters for his artistic contribution, a title that 
also has our novelist Enrique Vila-Matas) and studied in Leipzig, former
 DDR, but the tape is not mentioned.  There is much in this story quantum (in fact, the Institute for Complex Adaptive Matter (ICAM) Coleman commissioned a work of three pieces that are dubbed Music of the Quantum).  Energies that are not seen but are appreciated.  Like when you connect an amp to power. 
 So you can describe the music of this group that miraculously still 
active even though its members have been in and out of it a few times.  A good example of what the spirit of a band.  Of that magic thread that binds its members beyond the stage.  Beyond betrayals.  		 	   		  
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