[kj] Best KJ review ever using Google Translate:

[Neil Perry]

So much to like here - particularly the description of Jaz's singing
as 'throaty
blatantly'!

Not to mention 'It is him as jazz (with double Zett!) -Ladies at the
advanced age whose vocals are refined by scars'.

Quite!



On 3 November 2010 15:46, Rheinhold Squeegee <kjlist at live.com> wrote:


>  Jaz is, indeed, like a "suffering God..."

>

> And exactly how does one carry no Kashmir in Manchester?

>

> Original is here:

> http://www.mescaline-injection.de/?p=7835

>

> An album in original cast so. After the death of bassist Paul Raven

> originators of punk KILLING JOKE to legend Jaz Coleman have taken on a lot. And

> one times beforehand: is managed with "Absolute Dissent" again a great album

> of the band. Jaz sings like a suffering God times almost casual positive,

> then again throaty blatantly as we love him, and that since decades.

>

> Always been KILLING JOKE with accompanied beat, repeating passages played

> endlessly, but behind the wall of sound of small Earth human life played

> out, routine, but with ups and downs richly equipped. KILLING JOKE were

> always politically on the side of the oppressed; they are even today. And

> that is rare nowadays in the music business and gives nice advantages.

>

> The opener "absolute dissent" a heavy Groover is unparalleled, superb! Typical

> themselves KILLING JOKE with verve trance. Jaz sings just indescribably

> committed, because the song is real times, alive, it was lived, loved,

> suffered. "The Great Cull" waiting with class chorus and fine tension in

> spite of everything einebnenden rhythm. "Fresh Fever From The Skies" might

> dancefloorkompatibel pale Düsterlinge, which will turn out in the course of

> the evening as not so dark, "In Excelsis" rebelliousness, reminiscent of the

> song structure and melody management early punk times, protest, from

> henceforth with robes and dogma to real life.

>

> "European super State" plays with eighties pop, the Groove is dance fit for

> yet an optimal car song. And dark he sounds also, this catchy tune without

> parallel. First musical "this world hell" choppy the mutated then but

> excluded escape to a flowing monster which reaches all corners and recesses.

> Well that is KILLING JOKE not close post metal excursions. You could say

> it also different, of course. The band is always pioneer for such been

> music.

>

> And again a great rhythm: marches "Endgame", the singing of Jaz here

> strongly reminiscent of Phil Lynott of THIN LIZZY. Our veteran sings

> "Engames…" fervently, gradually we must note that KILLING JOKE remain a

> class band. Although, we knew beforehand? This "class" applies to the

> British similar to like on fantastic colleagues the NEW MODEL ARMY. "The

> Raven King" shows again the gentle side of the band: This floating Ethereal

> melody line manages the combo with flying colors. A journey through time

> in the year 1982 compliant? Here it is. And our buddy Jaz has still a

> brilliant voice. How to do that only a life so hard? Perhaps precisely; It

> is him as jazz (with double Zett!) -Ladies at the advanced age whose

> vocals are refined by scars.

>

> Wummernd bass, casual the singing almost optimistic, hopefully, psychedelic

> chorus, thats "Honour The Fire", a deja-vu: what were still times,

> philosophical speeches to the rolling, wrapped in fine cashmere, surrounded

> by supporting Mittelscheitel disciples, punks of the Bohemian. Gloom then

> in "Depthcharge", a little disturbing, these performances. Because it

> carries no Kashmir in Manchester and critical eyes amateur philosopher.

>

> Quickly wearing glasses and workers close friendship, therefore down the

> stairs from the suburb Club our confidence: with "here comes the

> singularity" follows a dancefloorkompatibler hit for the late summer or

> early autumn, reconciliation in the noise. On the one hand the band

> remains true, on the other hand she integrated a bit modern vibes; Jaz and

> co. playing with different genres: so the reggae which indicated in the

> final "Ghosts Of Ladbroke Grove", but alienated. The song is instinctively

> easily; It songs full of rhythm and tension are KILLING JOKE to compose

> the monotony always stylistic device being, wanted, not weakness. And that

> the texts very imaginative and full political allusions and therefore are

> much better than 99% of the bands discussed here, actually extra mention

> must find. Punks not dead!

>

> [image: 9/10]

>

> «*»* *Killing Joke*<http://www.microsofttranslator.com/bv.aspx?from=&to=en&a=http%3A%2F%2Fwww.killingjoke.com%2F>

>

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