[kj] Nine Inch Nails/Janes Addiction in Irvine, CA
Alexander Smith
vassifer at earthlink.net
Thu May 21 17:10:30 EDT 2009
Nice, detailed reporting there. Much appreciated. Don't feel so bad
about missing it now.
Alex in NYC
On May 21, 2009, at 4:20 PM, The Mighty TB wrote:
> Headed to Irvine around 5:30 from Huntington Beach, rush hour
> traffic really log jammed around John Wayne airport making a simple
> 20 minute drive stretch out to almost an hour. Irvine Verizon is
> notoriously shitty getting in and out of because of the single road
> leading in and out and the non-existent traffic control by Irvine's
> finest. So as always, I parked in the free main lot on the isle near
> the $20 parking lot for what I figured should be an easy exit after
> the show (more on that later). I had packed a backpack with my old
> analog Hi8 camcorder, my digital camera, a bunch of batteries,
> tapes, bottled water and a bunch of other shit.
>
> Getting my ticket at the Jane's will call window was a piece of cake
> although it appeared they had all the GA Pit tickets in one pile in
> no discernable order in a box so the chick had to sort through every
> ticket to find mine with my name on it. Another benefit of buying
> the ticket through Jane's (or NIN's) website was that I didn't have
> to wait in the huge, slow moving line to get in the venue, those
> ticket holders got to get in right at the front. The downside was
> despite all the shit I was carrying, they wouldn't allow the
> backpack(!) itself. So I had to walk back to my car and figure out
> what I wanted to carry in and what I wanted to leave in the car. So
> I took the camcorder, batteries and tape in my pockets and left
> everything else except my ID and money.
>
> Got in and down to the sparsely filled pit about 5 minutes before
> Street Sweeper Social Club came on for a 30 minute set. IMO, they
> come off as a slightly watered down version of Rage Against The
> Machine - they have the same vibe and themes but the anger and overt
> aggression isn't nearly as intense. A lot more edgy than Audioslave
> though. Tom Morello is as always pretty amazing on guitar and singer
> Boots Riley makes for a formidable frontman. It kinda bugged me that
> one of their songs is basically The Clash's "Straight To Hell" with
> new lyrics. Still, an enjoyable set and I filmed their opening song
> which killed the first of 3 batteries I brought with me which made
> me nervous that lugging all this shit was gonna be a waste of time.
>
> Nine Inch Nails came on just as it was getting dark and the venue
> was still only 2/3rds full as many people were still rushing to
> their seats. Really no warning, just the start of "Now I'm Nothing"
> as the band comes on stage. The run of songs between 1,000,000 and
> Reptile made for probably the best half hour of NIN I've caught in
> the 6 or 7 times I've seen them since '91. Of course, finally seeing
> Heresy live was the peak of the set for me. Around a really punkish
> version of March Of The Pigs, a small group started moshing in the
> center of the pit but it never got out of hand although it was kinda
> funny watching these knuckleheads try to keep things going during
> slow, mellow songs like "The Way Out Is Through."
>
> As NIN have been playing drastically different sets every night this
> tour, there is no way to predict what the next song will be and as
> Trent said midway through the set, "we aren't playing the hits"
> which ultimately led to no "Closer" or "Hurt" (which was on the
> setlist as the last song). The stage is basically their gear
> cluttered in a rather confining space that almost looks like a
> rehearsal studio with a really massive bank of strobing lights on
> the back wall. The sets seem to be geared towards the hardcore NIN
> fan and also appear to challenge the patience of the casual or fist
> timer who's expecting either the hits and/or a non-stop agro-fest.
> Still plenty of great deep cuts but a stretch of songs starting with
> "The Fragile" that seemed to loss the general audience and killed
> the momentum of the first half of the show that never really picked
> back up except for during "Wish" until the last two songs of the
> set. Trent has assembled a really lean, no-frills band and stage
> show for this tour and I have to hand it to the guy, he really gives
> 110% and was soaked by the end of the set. Onstage, he's a real
> tough character to read. I can't tell if he's enjoying his
> performance and the crowds reaction (or lack of). He just goes
> through the set in a very focused way with very little interaction
> with his audience beyond an occasional "thank you."
>
> After NIN ended their set, I tried getting a shirt and maybe a drink
> but the lines were simply retardedly slow at every stand so I blew
> that off and went back down in the pit with only minutes to spare
> before Jane's came on. The opening video clip from "River's Edge
> with Kevin Bacon was all fucked up which led to some booing in the
> audience which followed into the opening bass lines of "Three Days."
> More than ever after seeing this shaky opening and Perrys very weak,
> tentative vocals on the song, I am convinced that while a noble
> experiment that perhaps under the most ideal of circumstances would
> work as a atmospheric introduction to Jane's set, Three Days is
> *not* the right opening song for a big crowd.
>
> The band was tight and powerful throughout their set. I really can't
> fault anyone's playing although Dave's solos/tone on some songs is a
> bit too "rawk" these days, I really can't complain although I don't
> care for his wah peddle shortcuts on Mountain Song's solo. Also,
> tuning *way* down really affects the overall vibe and tempo of some
> songs like Whores and Had A Dad in particular which had more plod
> than swing this tour. Which leads to Perry......
>
> There's a huge divide between the good and bad in Perry 2009. On one
> hand, his overall stage persona and even goofy dress style works
> good as and maybe better than any time since 1991. As a frontman,
> he's turned into Diamond David Lee Roth circa 1983. However, like
> Roth in '83, his voice has also really lost whatever edge and meager
> power it once had. He has to sing in a lower key and his vocals on
> Three Days were so weak and tentative, I thought he was suffering
> from a cold although he did improve sporadically throughout the rest
> of the set. But then he'd barely murmur unintelligible vocals for
> songs like "Ted~". He rarely used his little echo box to any
> noticeable effect as he seemed more preoccupied being Toastmaster
> General of Irvine. Still, weak singing aside, he held the crowd in
> his hand the entire show and was physically running around the stage
> like his little leg injury was a thing of the past.
>
> Eric generally kept to his zone on stage left and sounded great. It
> was pretty cool watching him play bass sitting casually on the PA
> cabinets on the side of the stage with his feet kicking around like
> a little kid at the beach for Summertime Rolls. Perkins was his
> usual monster on the kit, the guy is just an incredible drummer. I
> can also hear some double bass drumming on the tail end of Three
> Days so there is a reason for the double bass kit, guys.
>
> Overall, while this is "Jane's" as far as purists are concerned, it
> is a very different animal than 1987 - 1991. I hate to say it, but
> this tour at least looks to be a cash grab on the back of nostalgia
> of what this band did over 2 decades ago. They love playing in front
> of big audiences, they love playing the old songs but there's a very
> strange dynamic within the band right now that's tough to put a
> finger on. Make no mistake, there were moments of near transcendence
> that equaled anything I recall from seeing them on the Nothings
> Shocking and Ritual tours such as the very brief bit inbetween songs
> where Perry mention Jane's first show at this venue in the late 80's
> with Social Distortion and X and the band played a short sample of
> X's "Hungry Wolf." But there were also some major instances where I
> felt I was watching a band stuck in cabaret. Perry's big rock star
> silliness and Eric's odd disappearance before the band could take
> their final bows at the end of their set only accentuates this. They
> *need* to start taking big chances with the set beyond shuffling a
> couple songs in the running order. And that doesn't even address new
> music.
>
> The crowd was generally really well behaved, at least in the pit.
> Asshole factor was almost non-existent - I was expecting a *lot*
> more moshing, especially for NIN's set based on previous shows. It
> was never overly crowded and I could move pretty freely anywhere I
> wanted to be as long as it was about 10 feet back from the stage.
> The sound for all three bands was near perfect. Getting out of the
> parking lot after the show was a major ordeal. There's really no
> good way to get out in a reasonable amount of time unless you skip a
> song or two and leave early at the end of the show. It took a
> fucking hour to get out and 15 minutes to drive home.
>
> Filming turned out to be a bit of a headache and was the only real
> negative for me totally getting into and enjoying the show. Because
> my camcorder is old standard def, bulky and had a built-in big LED
> screen and thus a bit heavy coupled with the fact I had to hold it
> over heads in front of me to get an unobstructed view, it became a
> marathon for my arms after a while. Add to that I was constantly
> aware of declining battery power, switching the tape and keeping a
> eye out for someone crashing into me, taping did take away a bit
> from my enjoyment of the show. A long way from the old days of '80 -
> '83 when I'd use my AIWA deck with the mics taped to my shoulders
> and still enjoy the show without worrying overmuch about taping a
> concert.
>
> I wound up recording SSSC opening song, the first half of NIN's set
> and a couple songs later in their set and all of Jane's set. After
> reviewing some of the footage, I discovered that the sound badly
> clipped on the bass so while visually most of the footage looks
> really good, it sounds pretty rough. Once a really good sounding
> torrent of the show comes out, I'll probably wed my footage to the
> better sounding audio. I'm in the process of uploading a few raw
> multi-song clips to YouTube which I'll link later today. All said
> and done, I salute tapers who sacrifice some measure of their
> enjoyment of concerts for people like myself to listen and watch
> later. I won't be doing this again.
>
> Overall, even though I saw Jane's 2 of the 3 club shows they did
> before this tour, rag a bit on Perry and I'm a bit burned out on
> NIN, I can say without a doubt this was a overall great show and
> well worth catching for those sitting on the fence about going or
> not. I also want to say the way both bands treat there fans this
> tour as far as how smooth and generous the prime tickets were made
> available as well as the unrestricted taping policy really made this
> show a special event for me.
>
> T.B.
>
> Setlist:
>
> Street Sweeper Social Club
> 01. Intro
> 02. Fight! Smash! Win!
> 03. Somewhere In The World Its Midnight
> 04. Paper Planes
> 05. The Oath
> 06. 100 Little Curses
> 07. Promenade
> 08. Nobody Moves (Til We Say Go)
>
> NIN
> 01. Now Im Nothing
> 02. Terrible Lie
> 03. 1,000,000
> 04. Heresy
> 05. March of the Pigs
> 06. Metal
> 07. Reptile
> 08. Survivalism
> 09. The Becoming
> 10. Mr. Self Destruct
> 11. The Fragile
> 12. Gone, Still
> 13. The Way Out Is Through
> 14. Wish
> 15. Echoplex
> 16. The Day The World Went Away
> 17. The Hand That Feeds
> 18. Head Like A Hole
>
> Janes
> 01. Three Days
> 02. Whores
> 03. Ain’t No Right
> 04. Pigs in Zen
> 05. Mountain Song
> 06. Had a Dad
> 07. Been Caught Stealing
> 08. Ted, Just Admit It
> 09. Ocean Size
> 10. Summertime Rolls
> 11. Stop
> 12. Jane Says _______________________________________________
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