[kj] (OT) NIN
Brendan
bq at soundgardener.co.nz
Thu Feb 19 21:37:18 EST 2009
To be honest a lot of my vitriol is because I tried hard to like NIN, and
some of it I actually do like, but I really dunno if the guy is on the
level or not. And his performance in Auckland, while there were plenty of
solid tracks, was quite a slap in the face.
>
> I don't even want to post it. But if you want to hate him even more after
> that interview, look up his rendition of "Bela Lugosi's Dead" on SueTube.
>
>> Date: Fri, 20 Feb 2009 14:54:41 +1300
>> From: bq at soundgardener.co.nz
>> To: gathering at misera.net
>> Subject: Re: [kj] (OT) NIN
>>
>> Trentnor reckons he invented alternative music, Lollapaloser, and paved
>> the way for Nirvana:
>>
>> http://www.nin.com/
>>
>> >
>> > I read in one review that Trent Reznor is an heir to a large fortune.
>> I
>> > am not saying money is happiness, but it does make a nice down
>> payment.
>> > Do any of the musos floating around here know what he is heir to? It
>> is
>> > something electrical (I am *so* technical in my descriptions, I
>> > know)........
>> >
>> >> Date: Wed, 18 Feb 2009 12:37:48 +1300
>> >> From: bq at soundgardener.co.nz
>> >> To: gathering at misera.net
>> >> Subject: Re: [kj] (OT) Jane's Addiction at Echoplex in LA Last Night
>> >>
>> >> Gonna be 'interesting' to see how the NIN / Jane's Addiction shows
>> pan
>> >> out.
>> >>
>> >> My impressions of last night's NIN gig:
>> >>
>> >> Meh. With the emphasis on the 'eh'.
>> >>
>> >> I TRIED to like NIN. I went to all the effort of stealing Trentnor's
>> >> life's work, listening to it on train and plane journeys, walking in
>> to
>> >> work and feeling incongruously anti-social (and anachronistic) while
>> >> docile passersby passed by, oblivious to the fact that I was
>> listening
>> >> to
>> >> something that sounded like a hardcore remake of the Metropolis
>> >> soundtrack
>> >> (1994 Crack Remix).
>> >>
>> >> ...familiarised myself with Pretty Hate Machine (I passed on the 2/3
>> of
>> >> his album collection where he remixes his own stuff
yawn), which I
>> had
>> >> never picked up before because of the awful name.
>> >>
>> >> So I was relatively familiar with NIN, at least moreso than
>> previously,
>> >> when my appreciation was limited to the Quake soundtrack (sounds like
>> >> Tool
>> >> lite) and "that song that Johnny Cash does better." And Perfect
>> >> Drug...which always had me scratching my head as to why it was on
>> such
>> >> high rotate. (Surely these guys do better stuff than this?)
>> >>
>> >> The opening band's promo photo looked so shit I didn't even bother
>> >> listening to anything online to see what they were like. (This
>> >> admittedly
>> >> renders the rest of my review useless due to extreme prejudice but
>> >> hey...just being honest. Don't pretend you're not the same).
>> >>
>> >> NIN - sound quality was mildly mucky, not awful, and probably not
>> their
>> >> fault. Smallish crowd for the venue (half to two thirds of the ~10
>> 000
>> >> seat venue filled). Good light show, basic but good impact.
>> >> Overall...some
>> >> pretty solid material. A fair bit of it sounds samey to me, and I
>> really
>> >> wouldnt rate them up there with their 90s contemporaries
>> (Soundgarden,
>> >> Tool, Rage Against the Machine, Ministry) for impact, depth, breadth,
>> or
>> >> range. Anyway, a *relatively* solid gig, but a few things gave away
>> that
>> >> it was a phone-in, in a disappointing way. Practically no
>> >> acknowledgement
>> >> of the crowd, no encore, and this is probably going to be our last
>> show
>> >> in New Zealand" quoth Trentnor half-way through, in one of the
>> perhaps
>> >> two
>> >> times he deigned to address the audience. Seemed to fuck half the
>> >> audience
>> >> off, and rightly so. That was it, not "hey this might be the last
>> time I
>> >> play here so let's rip shit up." More like..."this is probably the
>> last
>> >> time I'm gonna fuck you up the ass, not sure if I can come, anyway,
>> just
>> >> thought I'd share...FYI. Now breathe out and clench."
>> >>
>> >> Yeah no worries, thanks for the newsflash, it's certainly gonna be
>> the
>> >> last time you get any money from me (I bought 2 tix), and a lot of
>> >> others
>> >> in the crowd like me who have seen better, more considerate bands try
>> to
>> >> disguise a phone-in, or dredge up enough energy from the crowd to
>> find
>> >> some reason to enjoy being there.
>> >>
>> >> No encore despite most of the crowd giving it heaps for 10 mins,
>> futiley
>> >> as the stage was dismantled immediately the black-clad phoners in
>> left..
>> >>
>> >> That was the more objective impression. This is what part of me
>> really
>> >> thinks:
>> >>
>> >> Go home and polish your Grammys and play Hurt to yourself on your
>> synth
>> >> you never-really-has-been. There's a reason I wasn't into NIN and I'm
>> >> glad
>> >> I had my suspicions confirmed. 80% of their songs sound the same. Sub
>> >> par
>> >> lyrics, predictable anthems for 14-year old sexually ambivalent teens
>> to
>> >> half-heartedly self-harm to in the privacy of their bedrooms in
>> between
>> >> Evanescence CDs.
>> >>
>> >> Note to self: Don't ever bend over backwards trying to like something
>> >> you
>> >> don't.
>> >>
>> >> > Jane's Addiction, reunited with original bass player Eric Avery has
>> >> been
>> >> > doing a few low key warm-up bar and club shows in LA the past few
>> >> months
>> >> > before they go out on tour with Nine Inch Nails in late Spring. I
>> >> caught
>> >> > last night's show at the Echoplex club which was their third
>> >> appearance
>> >> > together since all four members began working together again.
>> >> >
>> >> > It turned out to be an excellent if short show, mostly better than
>> the
>> >> > tiny
>> >> > El Cid bar show #2 which I caught last December. Only things I
>> think
>> >> El
>> >> > Cid
>> >> > was marginally better was being a tiny club, much more intense
>> energy
>> >> from
>> >> > the crowd that show. I think Perry sounded better there as well.
>> >> >
>> >> > It had been raining really hard much of the day in Southern
>> California
>> >> and
>> >> > I
>> >> > was really on the fence about going or not right up to about 6pm. I
>> >> went
>> >> > for it and got to the Echoplex (in Echo Park) around 8:15 and a
>> huge
>> >> line
>> >> > of 200 - 300 people was winding along the building and it quickly
>> >> because
>> >> > obvious some people didn't have or even know about the RSVP thing.
>> >> Light
>> >> > rain had just stopped and it was cool but at least dry. The line
>> >> started
>> >> > moving as they left small groups of about 10 - 15 people in at a
>> time
>> >> to
>> >> > get
>> >> > their ID checked for a wristband, then get their ID checked against
>> a
>> >> list
>> >> > at the door from the website registration rsvps. Saw a couple
>> people
>> >> > turned
>> >> > away in front of me but later saw them inside so its possible they
>> had
>> >> > enough room for people who basically walked up to see the show
>> after
>> >> the
>> >> > majority of RSVP'ers got in. Considering my own feelings this
>> method
>> >> of
>> >> > getting people in the show could have turned into a real mess, it
>> >> seems
>> >> > like
>> >> > it turned out to be well run with few problems.
>> >> >
>> >> > My first time at Echoplex. Kind of a weird room, the mixing desk
>> kinda
>> >> > bisects the club in half so if your in the back, you gotta stand on
>> >> some
>> >> > boxes to get a decent view. Pretty laid back, almost too mellow of
>> a
>> >> > crowd
>> >> > especially for the opening band "Dot," which was kind of a more
>> >> ambient,
>> >> > dissonant noise version of Secret Machines. Band shows some
>> promise,
>> >> but
>> >> > the singer was hardly audible, partly because he rarely projected
>> >> himself
>> >> > but moreso because the vocals were mixed way too far down (same for
>> >> Perry
>> >> > during Jane's set). They got a decent response from the crowd, more
>> >> > respect
>> >> > than actual adoration. Frankly, I thought they were boring.
>> >> >
>> >> > There was a long wait, made somewhat manageable by the selections
>> >> whoever
>> >> > was DJ'ing played a good amount of Killing Joke ("Change"),
>> Bauhaus,
>> >> > Cramps
>> >> > ("New Kind Of Kick" got a huge response), Bowie and a few other
>> favs
>> >> on
>> >> > the
>> >> > PA.
>> >> >
>> >> > About 11:15, Jane's strolled on the stage and ground into Up The
>> >> Beach. I
>> >> > think it was played half a step down and a bit slower. Eric had
>> more
>> >> room
>> >> > to
>> >> > prowl and stomp tonight so he'd either be doing his tribal stomp to
>> >> songs
>> >> > like Mountain Song or Ocean Size or locked into his zone often
>> staring
>> >> up
>> >> > at
>> >> > the ceiling playing Pigs in Zen. Tonight, Dave was more on the mark
>> >> most
>> >> > of
>> >> > the show that the 2nd show, Perkins was simply 100% a precision
>> human
>> >> > piledriver. The man is simply an incredible drummer. Perry
>> >> unfortunately
>> >> > I
>> >> > have to say was the weak link. Not a lot of power in his voice,
>> didn't
>> >> > really make a lot of use of his little echo toolbox and took a lot
>> >> longer
>> >> > than the rest of the band to loosen up as the set progressed. I
>> will
>> >> say
>> >> > when they got to Been Caught Stealing, he was up with the rest of
>> the
>> >> band
>> >> > and loosened up enough to bullshit and introduce most of the
>> remaining
>> >> > songs.
>> >> >
>> >> > I do think in a lot of ways this reunion, especially how Perry
>> carries
>> >> > himself these days reminds me of the recent David Lee Roth/Van
>> Halen
>> >> > reunion
>> >> > in the way both frontmen have dropped the more manic, physical
>> aspect
>> >> of
>> >> > their stage persona due to age and are more like Vegas car dealers
>> >> doing
>> >> > their shtick for the rubes. At times, Perry was genuinely funny but
>> >> when
>> >> > he
>> >> > used forced, awkward analogies to introduce each of the last few
>> >> songs, it
>> >> > got hackneyed.
>> >> >
>> >> > Most of the songs from a performance standpoint sounded excellent.
>> >> > Mountain
>> >> > Song is played by Dave a bit differently now, a bit more RAWK! like
>> >> > someone
>> >> > like Billy Duffy would play the tune. The band was very tight with
>> one
>> >> > major
>> >> > exception. The only song I thought kinda missed the mark was the
>> one I
>> >> was
>> >> > most excited to hear, Ted, which lacked an "edge" it's had in the
>> past
>> >> and
>> >> > never really got out of third gear and came close to falling apart
>> the
>> >> > last
>> >> > couple minutes as the band kind of careened a bit out of time with
>> >> each
>> >> > other.
>> >> >
>> >> > But I'll tell you what, "Stop" was fucking perfect. Clearly the
>> best
>> >> > performed song of the set and got great audience participation.
>> "Had a
>> >> > Dad"
>> >> > and "Ocean Size" ended the 2 song encore and the short barely hour
>> >> long
>> >> > set
>> >> > was done.
>> >> >
>> >> >>From a crowd standpoint, the asshole factor was low but there were
>> a
>> >> few
>> >> > lobcocks who'd careen around like big, sweaty, smelly dreidels. One
>> >> > grinning drunk slob who looked like Seth Rogan got hoisted up for
>> some
>> >> > crowd
>> >> > surfing and got maybe 5 feet before being dumped on the ground like
>> a
>> >> sack
>> >> > of shit. He later wound up getting on the stage on Erics side and
>> then
>> >> > flopped off the stage like a beached whale.
>> >> >
>> >> > All n' all though, a great night even if it was too short and I
>> >> *really*
>> >> > wanted to hear "Three Days."
>> >> >
>> >> > Setlist:
>> >> >
>> >> > Up The Beach
>> >> > Trip Away (on the setlist but not played)
>> >> > Whores
>> >> > 1%
>> >> > Ain't No Right
>> >> > Mountain Song
>> >> > Been Caught Stealing
>> >> > Ted Just Admit It.
>> >> > Stop!
>> >> > (encore)
>> >> > Had a Dad
>> >> > Ocean Size
>> >> >
>> >> > T.B.
>> >> >
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>> >>
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