[kj] An Olive Branch for Olive-r
Alexander Smith
vassifer at earthlink.net
Tue Feb 27 21:12:36 EST 2007
And regarding the Killers -- sweet shiny Jesus are those guys
assholes (talk about hair crimes!)
For a start, you should acquaint yourself with their second album
(which largely abandons their "new wavey" sound for a ham-fisted
appropriation hoarily overblown Bruce Springsteenisms). Couple this
with the fact that Brandon Flowers (the Killers' lead singer) is an
outspoken shit-talker and flagrant FLAG WAVER (rah! rah! team America!)
Seriously, folks -- if there're two things we can ALL agree on ---
shouldn't they be that (a) despite however nice a guy he may be --
Bruce Springsteen's music is whole-heartedly indefensible and (b)
anyone who defends America's current place in the world (as helmed by
the Bush administration) is a FUCKING JERKOFF.
Alex in NYC
On Feb 27, 2007, at 8:00 PM, GREG SLAWSON wrote:
> I'm struggling to find ANY influence of the Buzzcocks on Nirvana--
> the latter sound like 70s or 80s commercial metal to me, and
> Soundgarden sounds like AWFUL 70s/80s hard rock/metal. At least the
> Killers have a sort of new-wavey, 80s sound. In a million years I
> can not see anything likeable about Soundgarbage, but then again I
> also hate Led Zepelin, Punk Floyd, and Aerosmith.
>
>
> From: Alexander Smith <vassifer at earthlink.net>
> Reply-To: "A list about all things Killing Joke (the
> band!)"<gathering at misera.net>
> To: "A list about all things Killing Joke (the band!)"
> <gathering at misera.net>
> Subject: Re: [kj] An Olive Branch for Olive-r
> Date: Tue, 27 Feb 2007 19:35:17 -0500
>
>
>
> Hang on a minute -- you're bashing Soundgarden but championing the
> Killers?? You need help, my friend.
>
> My biggest problem with Nirvana (and I have a few) has more to do
> with people thinking that they'd invented the fucking wheel, when
> in actual fact, all they were really doing was ripping off a dozen
> bands that had come well before them -- from the Buzzcocks and
> Black Flag through the Melvins and --- WAIT FOR IT --- Killing
> Joke. I hate these fucking crap "documentaries" about Punk that
> talk about the era of the Pistols and The Ramones and the Clash and
> then skip right over to the early 90's with Nirvana -- pretty much
> insinuating the ABSOLUTELY NOTHING HAPPENED in the ensuing fucking
> decade between them.
>
> People suck.
>
> Alex in NYC
>
>
> On Feb 27, 2007, at 6:02 PM, GREG SLAWSON wrote:
>
> It's good to hear others talk about Nirvana as being the death of
> punk. Now it all makes sense--mainly because they sucked so much,
> and really sounded like a metal band, but got labeled punk,
> alternative, etc. Then we had to listed to over a decade of bands--
> Suckgarden, Mudhoney, Pearl Scam, Smashing Pumkins, etc etc--that
> sounded pretty much like mainstream rock, but everyone said they
> were somehow carrying on the punk tradition. Finally some popular
> bands are returning to a bit more garage sound (Killers, Yeah Yeah
> Yeah, Artic Monkeys, etc) and are at least tolerable...
>
>
> From: "B. Oliver Sheppard" <bigblackhair at sbcglobal.net>
> Reply-To: "A list about all things Killing Joke (the
> band!)"<gathering at misera.net>
> To: Alex Smith <vassifer at earthlink.net>, "A list about all things
> Killing Joke (the band!)" <gathering at misera.net>
> Subject: Re: [kj] An Olive Branch for Olive-r
> Date: Tue, 27 Feb 2007 15:56:35 -0600
> >Thanks for writing that. And, absolutely -- it isn't fun to be
> >bitchy, honestly. I guess I got into punk about a decade after you
> >did, and even then not into Killing Joke except for a few years ago,
> >though I had of course heard the name zillions of times. I'm getting
> >to the age where I also am beginning to feel like an "old man" (I'm
> >32) and I get cranky as well. I apologize for the nastiness.
> >
> >I love all the bands you mentioned, too. And obviously Killing Joke,
> >who are a band I appreciate more as I get older. I also wore Bauhaus
> >t-shirts in junior high ('89 - '90 -- I even still have a few), the
> >era I call B.N. (Before Nirvana -- because after Nirvana in '92 or
> >so -- sort of the 9/11 for punk, I think, even if Nirvana weren't a
> >punk band, no matter what t-shirts they wore -- everything changed
> >and suddenly the same jocks who wanted to beat you up after school
> >for wearing black, wanted to "mosh" and go to shows and see punk
> >bands). I dyed my hair black (still do) though I never had the balls
> >to try a devillock; I had that skater haircut where the side is
> >shaved but your bangs hang in your face over one eye -- "the skater
> >flop," or whatever. That seems to be coming back. And I loved the
> >hell out of Vision Street Wear clothing, especially the shoes. I
> >can't help but notice these kinds of accouterments that come with
> >musical culture! (Hair, dress, etc.) In the 80s it seemed punk and
> >skateboarding were very entangled, and that was the stew I came out
> >of.
> >
> >Yes, you know your musical shit, too. The back-and-forth and tit for
> >tat between us I don't get off on a bit. If it helps any, I also
> >sort of want kids to get off my lawn these days. So, in short -- my
> >apologies as well. I fuck up and make mistakes. I've been an arse,
> >and I shouldn't have been.
> >
> >By the way, those are cool pics and I'm jealous you were there!
> >
> >
> >-Oliver
> >
> >
> >
> >
> >Alex Smith wrote:
> >>Fair enough, Oliver -- I have been being needlessly nitpicky with
> >>you lately, and I apologize. I'm under a bit of presure these days
> >>(lots of layoffs where I work), and that's manifesting itself by
> >>making me needlessly argumentative.
> >>
> >>I know you didn't invent the term "hair metal" (or "crust" or
> >>"punk" or "hardcore" or "thrash" or "goth" or "shoegazer" or "DC
> >>hardcore" or "NYHC" or "Britpop" or "Darkwave" or "post-Punk" etc.
> >>etc. etc. ad nauseum), but I bristle at the abuse of these terms
> >>(seek ye "This Is Pop!" from XTC's first album, WHITE MUSIC).
> >>
> >>Sure, this band or that band may have a lot of hair and wear it in
> >>silly ways (on their face, even!) -- but I don't know about you, I
> >>can't seem to hear their hair when I'm listening to the music. I
> >>know the tonsorial/sartorial trappings of certain genres of music
> >>act as cultural identifiers, but they're just appetizer. The music
> >>and the messages contained therein are the real meat of the matter
> >>(or, to bludgeon this culinary analogy into the ground, "the
> >>entree").
> >>
> >>
> >
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