[kj] FW: Re: 1000 SUNS Outside Gate and PHANTASMAGORIA
melinda grant
hollytree1961 at hotmail.com
Tue Feb 27 14:48:52 EST 2007
>From: "GREG SLAWSON" <gregslawson at msn.com>
>Reply-To: "A list about all things Killing Joke (the
>band!)"<gathering at misera.net>
>To: gathering at misera.net
>Subject: Re: [kj] 1000 SUNS Outside Gate and PHANTASMAGORIA
>Date: Tue, 27 Feb 2007 08:06:38 -0500
>
>greg observed with shock exspression.........
>
>"When I lived in Houston (81), I went to a punk record store where a guy
>(singer?) from Really Red worked. Oh yeah, and I saw (in a gym!) Killing
>Joke!"
that wasnt jaz working of his future speare tire there was it gregg?
;-D))))))))))))))))))))))))))))
sorry greg,could not resist, ;-D)))))))
melinda
>
>
>
>
>
>
>From: "B. Oliver Sheppard" <bigblackhair at sbcglobal.net>
>Reply-To: "A list about all things Killing Joke (the
>band!)"<gathering at misera.net>
>To: "A list about all things Killing Joke (the band!)"
><gathering at misera.net>
>Subject: Re: [kj] 1000 SUNS Outside Gate and PHANTASMAGORIA
>Date: Mon, 26 Feb 2007 22:24:43 -0600
> >Greg,
> >
> >I believe you. And since I burnt -- uh, I mean BOUGHT -- a copy of
> >_American Hardcore_, I'll have to go back and watch it with the
> >commentary ON. But I have to stick by the Misfits being an essential
> >part of the American hardcore movement this movie delves into.
> >
> >So, if the documentary makers if they can give air time to folks like
> >Nig Heist (!) and Flipper -- who, okay, I guess
>were hardcore, sure --
> >and interview folks like the dudes in Superjoint Ritual as well as Flea
> >(who they intro as a member of Red Hot Chili Peppers and Fear, the
> >latter of which is true but how is he there more for movie star power or
> >what), they'd in the best of allw orlds be able to devote time the
> >Misfits. I mean--
> >
> >These are just the smallest smattering of shows between 1980 and 1983:
> >
> > -- Misfits w/ Poison Idea & 7 Seconds & Septic Death (!):
> >http://www.punkbands.com/lyrics/images/flyers/misfits.gif
> >
> >-- Misfits w/ Negative Approach and The Meatmen:
> >http://www.nestorindetroit.com/Flyers-brian/misfits-freezer.jpg
> >
> >--Misfits w/ FU's and Boston's DYS:
> >http://www.onethirtyeight.com/images/flyers/fccc_crimsonghost.jpg
> >
> >--Misfits w/
>Necros:
> >http://www.stardoom.com/punk_flyers/see_artwork/misfits_pushead.gif
> >
> >And there's a pic in Bannd in DC, the book, of The Misfits letting DC hc
> >band Govt Issue use their equipment.
> >
> >Etc. The 'Fits had their own DIY "fiend club," which was either a PO Box
> >or Glenn Anzalone aka Glenn Danzig's mom's house's address in Lodi, NJ.
> >They started their own label, Plan 9 Records, also in the DIY spirit.
> >(Actually, Glenn did that and still uses it.) They used Minor Threat's
> >Lyle Preslar briefly as a guitarist near the end when they were
> >transitioning into Samhain, used Black Fag drummer Robo and even Rollins
> >as a guest vocalist on their _Evilive_LP; did covers of Black Flag's
> >"Rise Above" live -- & the impact they had on bands w/ their imagery,
> >artwork, stage presence, etc., is
>hard to over-estimate. I'm just saying
> >no really comprehensive American HC documentary can ignore all that. But
> >again it's not like _American Hardcore_ sucked -- I was really stoked
> >and grateful they got in some footage of Houston's almost-forgotten, yet
> >very excellent, old hardcore band Really Red, too. Those guys were
> >great. And the attention paid to Bad Brains and MDC was very cool.
> >
> >We could nitpick the thing all day. Government Issue were also absent
> >from the documentary, along with GG Allin. My main point was just that
> >The Misfits and DKs seemed like a towering absence, regardless of the
> >reasoning behind it, sound or unsound. And I'll be getting to that
> >commentary on the movie soon, per your recommendation! :)
> >
> >
> >-Oliver
> >
> >
> >
> >
> >GREG SLAWSON wrote:
> >
> >
> > > Check out the commentary--better than the deleted scenes. I like the
> > > more melodic hardcore (although I've never heard much Misfits nor knew
> > > anyone really into them)--the movie seemed to focus mostly on the
> > > really independent, underground bands (except for BB and BF),
> > > including many that I never thought worth playing (at home or on my
> > > radio show), such as Necros, DRI, Die Kreutzen, etc. I've always had
> > > the belief that there was a lot of bad hardcore out there--esp. bands
> > > that just wanted to play fast and didn't write songs. I wish all
> > > hardcore songs were as good as: Pay to Cum, Police Story, In A Free
> > > Land (Husker Du single), Which Way to Go (Big Boys), etc...Another
> > > overlooked band: THE DESCENDENTS!
> >
> >
> >
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