[kj] Crowley/Coleman

Stephen Robinson heiferboy at robinsonworld.freeserve.co.uk
Mon Jul 12 17:34:45 EDT 2004


Do it! 

It's only short too, another good thing to recomend it as a regious text!
  ----- Original Message ----- 
  From: MARK SAXTON 
  To: A list about all things Killing Joke (the band!) 
  Sent: Monday, July 12, 2004 11:16 AM
  Subject: RE: [kj] Crowley/Coleman


  I must read Book Of The Law, been meaning to for years,this is the prod.

  Rob <rob at westwoodassociates.co.uk> wrote: 
    an awesome life.........

    -----Original Message-----
    From: gathering-bounces at misera.net
    [mailto:gathering-bounces at misera.net]On Behalf Of nicholas fitzpatrick
    Sent: 12 July 2004 10:30
    To: gathering at misera.net
    Subject: [kj] Crowley/Coleman


    Article about Crowley from Saturday's Guardian. Fleeting reference to 
    Killing Joke near bottom.

    Cheers
    n



    The Guardian
    HEADLINE: Saturday Review: Arts: Beyond belief: From yoga to punk, notorious

    occultist Aleister Crowley has had a profound influence on modern culture

    BY: Tim Cummings

    BODY:
    'There is no law beyond do what thou wilt; every man and woman is a star; 
    the word of sin is restriction." For some, these three short epigrams 
    heralded the end of Christianity and the dawn of a new age. They certainly 
    provided successive generations of beat s, hipsters, hippies, punks and 
    ravers, whether they knew it or not, with a manifesto of sorts. The words 
    come from The Book of the Law , an obscure prose poem written 100 years ago 
    by Aleister Crowley, often described as the key to the notorious Magus's 
    vast pantheon of writings. A multi-layered template of a magickal system, 
    encompassing Qabalah, single-point meditation, sex rituals, excessive drug 
    use and a good deal more, The Book of the Law made Crowley one of the 20th 
    century's hidden prophets, a truly outrageous figure presiding over rock 
    culture's original spirit of misrule.

    Crowley died in relative obscurity in an eccentric Hastings boarding house 
    in 1947. And yet, in the 21st century, his legacy has an afterlife, one that

    few of his contemporaries would have imagined possible. Last year he was 
    voted number 73 in the BBC's league of the top 100 Britons. There is a 
    continual stream of biographies and editions of his work, from a centenary 
    edition of The Book of the Law to a reprint of Francis King's excellent 
    study Megatherion . "To Mega Therion", meaning "the great beast", was one of

    Crowley's numerous magickal names. In The Book of the Law , he is identified

    as 666. "It means merely sunlight," he told the judge in a libel case that 
    bankrupted him. "You may call me Little Sunshine."

    He wrote The Book of the Law over three days in April 1904, between midday 
    and 1pm, in a room near the Cairo Museum. The 29-year-old Crowley had come 
    to Egypt to honeymoon with his wife Rose. Together they spent a night in the

    King's Chamber of the Great Pyramid, where Crowley tried to impress her by 
    conducting a magickal ritual to illuminate the chamber with astral light. 
    Rose had no interest in the occult, but soon afterwards it was she who fell 
    into a trance, repeating "They are waiting for you", and instructing her 
    husband to take his dicta tion at the appointed day and hour.

    However, Crowley always denied he was the author of the book, claiming that 
    it had been dictated by an entity called Aiwass, an emissary of the 
    hawk-headed Egyptian god Horus promising ecstatic union and violent conflict

    in more or less equal measure. Aiwass would overthrow the "slave religion" 
    of Christianity and liberate humanity with one commandment instead of 
    Christianity's 10. "Do what thou wilt shall be the whole of the law" is 
    probably the phrase most associated with Crowley, and the key to much of his

    work. For him it became a liberation theology in 11 single-syllable words, 
    with "Love is the law" as the addendum. "Love under will."

    Though the likes of WB Yeats called him "indescribably mad" -they engaged in

    magickal battle when both were members of the Golden Dawn in the 1890s - 
    Crowley's reputation as the world's wickedest man obscures much that is 
    fascinating about him. He was a master of ceremonial magick, yoga, Qabalah, 
    Tarot and numerous meditation traditions; a mountaineer, poet, and chess 
    player of distinction; mentor to the great Portuguese poet Fernando Pessoa, 
    a friend of the American writer Frank Harris, and the source of Malcolm 
    Lowry's magickal symbolism in Under the Volcano

    Yet the hysterical press accounts of sex, drugs and sacrifice at his Abbey 
    of Thelema, in Sicily in the early 1920s, remain the core of the myth of 
    Crowley as evil incarnate. It was an image, along with his famously hypnotic

    stare, that led Bond author Ian Fleming to model Blofeld on Crowley. They 
    met when Fleming worked in British intelligence during the war. That a man 
    so publicly reviled could still penetrate the corridors of power is a prime 
    example of his unlikely reach. Crowley was Fleming's first choice for 
    interrogating Rudolf Hess when the occult-obsessed Nazi was captured in 
    Scotland after a bizarre astrological sting.

    It was also Crowley who gave Churchill his famous victory sign, a magickal 
    gesture to counteract the Nazi's use of the swastika. Indeed, his hand 
    appears in many unexpected places - there is even a story that he aligned 
    Stamford Bridge and gave Chelsea its team colours - but his hidden influence

    was not restricted to the British war effort or the Premiere League. In the 
    1940s, one of his closest followers was a young Californian adept, Jack 
    Parsons, one of the founding fathers of the American space programme. His 
    work at the fledgling Jet Propulsion Laboratories lay the groundwork for the

    Apollo moon missions.

    Rocket fuel, space exploration and Crowley's brand of ceremonial sex magick 
    was a powerful mix. Working with Parsons was none other than L Ron Hubbard, 
    who later founded the cult of Scientology, which now attracts so many 
    Hollywood stars. Hubbard would also abscond with Parsons' money a nd wife, 
    but not before Parsons had written a fourth "chapter" of The Book of the Law

    and unleashed the powerful sex magick of the Babalon Working with his 
    Scarlet Woman, Beat artist Marjorie Cameron. Cameron would go on to star in 
    films by Kenneth Anger and Curtis Harrington, and was the inspiration behind

    the classic Eagles song, Hotel California . As for Parsons, he blew himself 
    up in his lab in 1952 and there is a crater named after him on the dark side

    of the moon.

    A hundred years on, Crowley remains one of those figures often dismissed in 
    public, but whose work is collected and studied in private. His immediate 
    following may have been small, but his influence on modern culture is as 
    pervasive as that of Freud or Jung. As an occultist, he can justly claim to 
    have made a lasting change on the world, refashioning the occult with his 
    famous dictum to combine the aim of religion with the method of science.

    There were followers such as Gerald Yorke, the epitome of the English 
    gentleman, who worked as his secretary for many years, and who later became 
    the Dalai Lama's emissary, almost single-handedly bringing Tibetan Buddhism 
    to the west. Crowley himself played a pioneering role in the western study 
    of eastern religions. His writings on yoga are still regarded as the most 
    lucid ever produced. His writings on drugs, too, are prescient; decades 
    later, psychedelic gurus such as Timothy Leary would find themselves 
    literally following in Crowley's footsteps.

    "Worship me with wines and strange drugs whereof I shall tell my prophet, 
    and be drunk thereof! They shall not harm ye at all!" proclaimed The Book of

    the Law . Six years after it was written, Crowley introduced psychedelics to

    Europe, with a sacrament of mescaline in his 1910 staging of the Rites of 
    Eleus in London. It was a kind of prototype of the rock band Hawkwind's epic

    S pace Ritual of the early 1970s. Both comprised music, dancers, poetry, 
    hallucinogens, and, in Hawkwind's case, projections and strobes they turned 
    on themselves as well as the audience.

    As Gary Lachman makes explicit in his book on the occult and the 1960s, Turn

    Off Your Mind , Crowley's most visible presence is in rock music and the 
    post-Beat counterculture; on films such as Don Cammell's Performance , and 
    Kenneth Anger's Lucifer Rising ; on the Satanic Majesties-era Stones, with 
    Jagger donating a dissonant synthesiser soundtrack to Anger's cinematic 
    enactment of one of Crowley's rituals, Inauguration of My Demon Brother

    Crowley is there on the cover of Sergeant Pepper , and in the music and 
    myths of Led Zeppelin, whose Jimmy Page is one of the most famous 
    rock'n'roll adherents. And then there is David Bowie, "closer to the Golden 
    Dawn, cloaked in Crowley's uniform of imagery". Bowie lived almost entirely 
    on a ritual l evel for several years in the mid-1970s and, like Crowley, his 
    drug use had a magickal as much as a hedonistic base. It is a period he now 
    professes not to remember, preferring to dine out on the fruits of that work

    instead.

    But while the hippy era is most closely identified with the explosion of the

    occult, it was punk that was the manifestation of Do What Thou Wilt. The 
    energy of punk at its purest was about disruption, chaos and transformation 
    - with whatever magickal accoutrements came to hand. Bands from Throbbing 
    Gristle and Killing Joke to the Only Ones, Eddie and the Hot Rods and Coil 
    absorbed, by osmosis or design, the essence of Crowley's Thelema.

    Rock'n'roll has always been the devil's music, with a powerful, 
    uncontrollable element of invocation, and Crowley is one of its 
    grandfathers. Rock's initial spirit of upset, outrage and teenage rampage 
    was the very spirit Crowley believed was unleashed with The Book o f the Law

    In the age of the crowned and conquering child, it doesn't matter whether 
    you believe in Crowley's magick or not. Like Tarot or astrology, it's not a 
    question of belief; it's whether and where the pattern fits. "Certain 
    actions," said Crowley, "produce certain results." Sentiments worth bearing 
    in mind for those curious about the life, work and legacy of this 
    extraordinary, flawed, complex and often shocking figure.

    The Book of the Law is published by Samuel Weiser (Airlift Book Co, 020-8804

    0400) Megatherion is published by Creation Books (Turnaround, 020-8829 
    3000).

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